A Separation (image 1)

Alarming and compelling... This stunning drama establishes Farhadi as a major figure.

Nick James, The Observer

Screened as part of NZIFF 2011

A Separation 2011

Jodaeiye Nader az Simin

Directed by Asghar Farhadi

A secular middle-class family is accused of a crime by an impoverished religious one in this gripping thriller that also provides an exceptionally revealing picture of life in Iran. “Alarming and compelling.” — The Observer

Iran In Farsi with English subtitles
123 minutes

Director, Producer, Screenplay

Photography

Mahmood Kalari

Editor

Hayedeh Safiyari

Production and Costume designer

Keyvan Moghadam

Sound

Mohammed Reza Delpak

With

Leila Hatami (Simin)
,
Peyman Moadi (Nader)
,
Shahab Hosseini (Hodjat)
,
Sareh Bayat (Razieh)
,
Sarina Farhadi (Termeh)
,
Babak Karimi (judge)
,
Ali-Asghar Shahbazi (Nader’s father)
,
Shirin Yazdanbakhsh (Simin’s mother)
,
Kimia Hosseini (Somayeh)
,
Merila Zarei (Ms Ghahraei)

Festivals

Berlin 2011

Awards

Best Film, Best Actor, Best Actress, Berlin Film Festival 2011

Elsewhere

Compelling proof, when we least expected it, that it is still possible for Iranian filmmakers to make films dramatising conflicts that resonate both within and outside the Islamic Republic, A Separation was the hands-down winner at this year’s Berlin Festival. Ironically, the jury awarding the film the top prize (and retooling the principal acting awards to become prizes for the acting ensemble) was supposed to be headed by the political prisoner, Iranian director Jafar Panahi. — BG

“Showing a control of investigative pacing that recalls classic Hitchcock and a feel for ethical nuance that is all his own, Farhadi has hit upon a story that is not only about men and women, children and parents, justice and religion in today’s Iran, but that raises complex and globally relevant questions of responsibility, of the subjectivity and contingency of ‘telling the truth’, and of how thin the line can be between inflexibility and pride – especially of the male variety – and selfishness and tyranny...

As the film builds to its dramatic climax, we wonder how the director can possibly find an ending that does justice to this compelling story’s narrative and thematic complexities. The round of applause that followed the film’s Berlinale screening was a tribute, at least in part, to the sensitivity – and perhaps, the inevitability – of the perfect solution he comes up with.” — Lee Marshall, Screendaily