Turtles Can Fly (image 1)

We are in the hands of a master… his imagery is so boilingly alive that we come away from it feeling exhilarated rather than depressed.

David Chute, LA Weekly

Screened as part of NZIFF 2005

Turtles Can Fly 2004

Lakposhtha ham parvaz mikonand

Directed by Bahman Ghobadi

This latest film from Iranian Kurdish director Bahman Ghobadi immerses us in the life of a Turkish/Iraqi border refugee camp, where scrambling hordes of orphaned children await the US invasion.

Iran / Iraq In Kurdish with English subtitles
97 minutes 35mm

Director, Screenplay

Photography

Shahriar Assadi

Editors

Moustafa Khergheposh
,
Hayedeh Safiyari

Music

Housein Alizadeh

With

Avaz Latif
,
Soran Ebrahim
,
Saddam Hossein Feysal
,
Hiresh Feysal Rahman

Festivals

Toronto, Pusan 2004; Rotterdam 2005

Elsewhere

This latest dispatch from behind the headlines by Iranian Kurdish director Bahman Ghobadi, (A Time for Drunken Horses, Marooned in Iraq), is a boisterous mêlée of comedy, farce, cruelty and tragedy. In a Turkish/Iraqi border refugee camp, scrambling hordes of orphaned and injured children await the US invasion. The go-getter protagonist ‘Satellite’ is a kid with an eye for the main chance, bawling instructions at his armless lieutenant and other kids, fast-talking the camp elders, constantly on the hustle and in a rush. An eerily beautiful girl with the blank expression of someone permanently in shock appeals to the gentler side of his nature, but she seems an irretrievably unknowable figure, trying to shake off a small child who may or may not be her son, but who follows her like a little goose. Eventually the Americans arrive, boldly entering a volatile, tragic situation which they cannot possibly understand. This astounding immersion in a wild world of children is one of the year’s indelible movie experiences.

Turtles Can Fly is the most powerful film to come from the Middle East since [Ghobadi’s] last one, A Time For Drunken Horses. He documents life at its toughest with devastating clarity – few other film-makers would show us a boy with no arms unearthing a mine with his teeth – but he never forgets that hardship exists in the same world as humour and deep blue skies. As in A Time For Drunken Horses, it’s the resourcefulness and courage of the children that make it so moving.” — Nicholas Barber, The Independent