Screened as part of NZIFF 2016

Elle 2016

Directed by Paul Verhoeven Big Nights

Genre subversive Paul Verhoeven, director of Basic Instinct and Black Book, teams up with the great Isabelle Huppert to craft this provocative, blackly comic thriller.

France/Germany In French with English subtitles
130 minutes CinemaScope/DCP
R18 (violence, sexual violence and offensive language)

Director

Producers

Saïd Ben Saïd
,
Michel Merkt

Screenplay

David Birke. Based on the novel Oh… by Philippe Djian

Photography

Stéphane Fontaine

Editor

Job ter Burg

Production designer

Laurent Ott

Costume designer

Nathalie Raoul

Music

Anne Dudley

With

Isabelle Huppert (Michèle)
,
Laurent Lafitte (Patrick)
,
Anne Consigny (Anna)
,
Charles Berling (Richard)
,
Virginie Efria (Rebecca)
,
Christian Berkel (Robert)
,
Judith Magre (Irène)
,
Jonas Bloquet (Vincent)
,
Alice Isaaz (Josie)
,
Vimala Pons (Hélène)
,
Raphaël Lenglet (Ralf)
,
Arthur Mazet (Kevin)
,
Lucas Prisor (Kurt)
,
Hugo Conzelmann (Phillip Kwan)
,
Stéphane Bak (Omar)

Festivals

Cannes (In Competition) 2016

Proudly Sponsored By

Metro

Isabelle Huppert delivers a standout performance in this electrifying comeback from master genre disrupter Paul Verhoeven.

“Paul Verhoeven’s Elle saw Cannes Competition 69 out on a high note. This beautifully judged drama/thriller is all about a provocatively powerful woman, much like Verhoeven’s last Competition entry – Basic Instinct, which played back in 1992. Elle is that picture’s equal, and, in a similar way, captures a new moment for film’s femme fatale.

Elle, starring the unrivalled Isabelle Huppert, threads sexual intrigue with knife-edged danger, punctuated by the occasional relief of unexpected, uneasy humour. It’s a film which could only have come from the hands of the Dutch master, back after a 10-year-absence since Black Book – and how we have missed him.

Huppert has rarely been better as the head of a videogame company who is attacked and raped in her home by a masked intruder. This plays out, however, at the onset and is just a launchpad for Verhoeven to examine his career-long themes of power and domination afresh.” — Fionnuala Halligan, Screendaily

“If our modern age is partially defined by outrage culture, trigger warnings, and sensitivity training seminars (all of which have their function) the glee with which Verhoeven and Huppert openly, even playfully, defy any concession to cultural correctness is breathtaking. The cinema of the #problematic may have just found its Citizen Kane.” — Jessica Kiang, The Playlist

“Whatever your take, it’s a film that will inspire debate for decades to come.” — Catherine Bray, Time Out