Screened as part of NZIFF 2015

Ex Machina 2015

Directed by Alex Garland Fresh

This intellectually teasing, near-future drama stars Domhnall Gleeson, with Oscar Isaac as a reclusive AI genius and an eerily bewitching Alicia Vikander as the android Ava, programmed to test the boundaries of creation.

Jul 24
Sold Out

Penthouse Cinema

Jul 28

Embassy Theatre

Jul 30
Sold Out

The Roxy Cinema 1

Aug 01

Embassy Theatre

Aug 08

Paramount Bergman

Aug 09
Sold Out

Paramount Bergman

UK In English
108 minutes CinemaScope / DCP

Director, Screenplay

Producers

Andrew Macdonald
,
Allon Reich

Photography

Rob Hardy

Editor

Mark Day

Production designer

Mark Digby

Costume designer

Sammy Sheldon Differ

Music

Ben Salisbury
,
Geoff Barrow

With

Domhnall Gleeson (Caleb)
,
Alicia Vikander (Ava)
,
Sonoya Mizuno (Kyoko)
,
Oscar Isaac (Nathan)

Festivals

SXSW 2015

PRESENTED IN ASSOCIATION WITH

Flicks

Novelist and screenwriter Alex Garland (The Beach) makes a decisive directorial debut with this smart, sleekly designed and flawlessly performed psy-fi drama.

“Ava (Alicia Vikander) doesn’t mean to scare you. She only wants to get inside your head. The heroine of Alex Garland’s Ex Machina has sharp blue eyes, an even, inquisitive voice and skin so clear it seems to soften the air around it. She’s also a robot, pieced together by a reclusive genius in a house shrouded by mountains, and her thought processes are sparked by the terms millions of humans are keying into Blue Book, the world’s most popular internet search engine…

Ava’s creator, the alpha-male tech guru Nathan (Oscar Isaac), describes his eureka moment thusly: it was when he realised that Blue Book didn’t simply tell him what people all over the world were thinking, but how they were thinking too… Caleb (Domhnall Gleeson) has won a staff lottery to visit Nathan at his isolated home-slash-HQ, a helicopter ride away, to bear witness to the company’s top-secret new product… The aim of the week-long visit is for Caleb to carry out a Turing Test: over the course of seven daily encounters with Ava, he has to get to know her and decide whether or not she can pass for a human being… This is bewitchingly smart science fiction of a type that’s all too rare. Its intelligence is anything but artificial.” — Robbie Collin, The Telegraph

“Shrewdly imagined and persuasively made, Ex Machina is a spooky piece of speculative fiction that’s completely plausible, capable of both thinking big thoughts and providing pulp thrills.” — Kenneth Turan, LA Times