NZIFF Booklet

Films by Genre

Cannes 2017

The Beguiled

Sofia Coppola

Colin Farrell plays a wounded Civil War mercenary under the care of a commune of young women, led by Nicole Kidman, in Sofia Coppola’s beautiful, feminist take on Don Siegel’s 1971 Southern Gothic psychodrama.

Blade of the Immortal

Mugen no junin

Miike Takashi

Japanese super director Miike Takashi, in no less than his 100th film, returns to the bloody mayhem of 13 Assassins with this brutal and boisterous manga adaptation about a vengeful samurai who can grow back his own limbs.

BPM (Beats Per Minute)

120 battements par minute

Robin Campillo

A wary newcomer to the radical activist life risks his heart with one of its firecracker stars in this stirring and moving exploration of the ACT UP movement that protested government inaction on AIDS in the 90s.

Claire’s Camera

Keul-le-eo-ui ka-me-la

Hong Sang-soo

In director Hong Sang-soo’s wry observation of the end of an affair, Isabelle Huppert plays a French photographer who befriends a young Korean woman (The Handmaiden’s Kim Min-hee) at the Cannes Film Festival.

The Desert Bride

La novia del desierto

Cecilia Atán, Valeria Pivato

Paulina García (Gloria) plays an uprooted woman who stumbles into a new-found freedom with help from Claudio Rissi’s friendly stranger in this delicate and charming Argentinean debut feature.

Faces Places

Visages villages

Agnès Varda, JR

In this utterly charming documentary, octogenarian French director Agnès Varda takes to the road with the young photo-muralist JR, creating artworks, looking up old friends and finding new ones.

Gabriel and the Mountain

Gabriel e a montanha

Fellipe Barbosa

Brazilian Fellipe Barbosa’s richly layered road movie retraces his friend’s Africa-on-$3-a-day travels through Kenya, Tanzania, Malawi and Zambia, based on the fond recollections of the people he befriended along the way.

A Gentle Creature

Krotkaya

Sergei Loznitsa

Ukrainian feature and documentary maker Sergei Loznitsa’s new dramatic film is a glowering state-of-the-nation fable, a bitter mix of tragedy, farce and road movie soaked in the sardonic spirit of Gogol and Dostoyevsky.

Good Time

Josh Safdie, Benny Safdie

In this adrenalised Cannes sensation from guerrilla-filmmaker siblings Josh and Benny Safdie, Robert Pattinson is riveting as a small-time criminal on a frantic nocturnal odyssey to break his brother out of custody.

Happy End

Michael Haneke

Jean-Louis Trintignant is the failing patriarch and Isabelle Huppert his daughter in this satirical dissection of a powerful French construction dynasty from Austrian director Michael Haneke (Amour, Caché).

I Am Not a Witch

Rungano Nyoni

Set in Zambia, the birthplace of writer-director Rungano Nyoni, this strange, engrossing feature addresses the continuing marginalisation of ‘witches’ and revolves around a nine-year-old girl accused of witchcraft.

The Killing of a Sacred Deer

Yorgos Lanthimos

Reuniting with his Lobster director, Colin Farrell plays a surgeon, husband and father of two whose placid domestic life is slowly, insidiously disrupted by the persistent demands of a teenage stalker.

Let the Sunshine In

Un beau soleil interieur

Claire Denis

Juliette Binoche lights up every frame of Claire Denis’ frank and rueful dramedy of romantic hope springing eternal, written in collaboration with the controversially confessional novelist and playwright Christine Angot.

Loveless

Nelyubov

Andrey Zvyagintsev

Andrey Zvyagintsev (Leviathan) won the Cannes Jury Prize for his stark and gripping tale of a divorcing couple caught in a missing-child procedural.

Marlina the Murderer in Four Acts

Marlina si Pembunuh dalam Empat Babak

Mouly Surya

Set amongst the visually ravishing widescreen vistas of rural Indonesia, this thoroughly enjoyable and delightfully deadpan adventure delivers a wily feminist spin on a western tale of murder and revenge.

The Merciless

Bulhandang

Byun Sung-hyun

An undercover cop and a notorious gangster become blood brothers in Byun Sung-hyun’s big-budget noir-tinged crime thriller, a sleek South Korean cousin to Scorsese’s The Departed.

Napalm

Claude Lanzmann

Bringing an egocentric but telling perspective to the subject of North Korea’s isolation, Claude Lanzmann (Shoah) revisits Pyongyang to explore the significance of a romantic encounter that has haunted him for 60 years.

Patti Cake$

Geremy Jasper

Music video director Geremy Jasper launches an unlikely rap star – a plus-size, white New Jersey rapper played by Aussie sensation Danielle Macdonald – in this high-energy feature debut.

A Prayer Before Dawn

Jean-Stéphane Sauvaire

Joe Cole is sensational as British Muay Thai fighter Billy Moore in Jean-Stéphane Sauvaire’s visceral adaptation of his tale of survival in Thailand’s Klong Prem prison.

The Square

Ruben Östlund

Winner of the Cannes Palme d’Or, Ruben Östlund’s The Square is an astounding work of social satire centred on a Swedish art museum and a PR stunt that goes horribly wrong. Starring Claes Bang, Elisabeth Moss, Terry Notary.

Top of the Lake: China Girl

Jane Campion, Ariel Kleiman

Join us for a very special screening of the much-anticipated new instalment of Jane Campion’s award-winning series, starring Elisabeth Moss, Game of Thrones’ Gwendoline Christie and Nicole Kidman.

The Venerable W.

Le vénérable W.

Barbet Schroeder

Barbet Schroeder (General Idi Amin Dada, Terror’s Advocate) completes his trilogy of evil with this chilling documentary about the Buddhist monk whose Islamophobic rhetoric is stoking ethnic cleansing in Myanmar.

Western

Valeska Grisebach

Subtly applying the themes of the American western to Europe’s eastern frontier, Valeska Grisebach’s drama mines the tensions and the bonds that develop between a German construction camp and a nearby Bulgarian village.

Wind River

Taylor Sheridan

Rookie FBI agent Elizabeth Olsen teams with her Avengers co-star Jeremy Renner to investigate a mysterious death on an Indian reservation in this atmospheric western thriller directed by gun screenwriter Taylor Sheridan.

The Workshop

L’atelier

Laurent Cantet

Laurent Cantet (Human Resources, The Class) makes an enthralling return to form, drawing topical debate and socially conscious thrills from the true story of a writer intrigued and disturbed by a troubled student.