NZIFF Booklet

Films by Must See

Staff Picks: Bill Gosden

My list begins with eight I have seen – including one of my all-time favourite movies. The eight films that follow  - seven of them from Cannes - are the ones I’m most excited about getting to see at NZIFF. Finally, Lost and Beautiful and All These Sleepless Nights have been among the year’s most particular, strange and unexpected cinematic pleasures. Both blur the lines between fiction and documentary.  Both are about memory. I was mesmerised as I watched them  and have not been able to shake them since.

A Quiet Passion

Terence Davies

Cynthia Nixon, Jennifer Ehle and Keith Carradine star in Terence Davies’ lively, witty and ultimately intensely moving dramatisation of the sheltered life of 19th-century New England poet Emily Dickinson.

After the Storm

Umi yori mo mada fukaku

Kore-eda Hirokazu

A formerly successful novelist tries to reconnect with his ex-wife and young son in this affectionate, shrewdly observed drama of family life from Japan’s unassuming master, Kore-eda Hirokazu (Our Little Sister).

Aquarius

Kleber Mendonça Filho

Brazilian actress Sonia Braga has the role of her life in this engrossing and richly surprising portrait of a fiercely intelligent and independent woman fighting to save the apartment she loves from demolition.

Elle

Paul Verhoeven

Genre subversive Paul Verhoeven, director of Basic Instinct and Black Book, teams up with the great Isabelle Huppert to craft this provocative, blackly comic thriller.

Neruda

Pablo Larraín

Not your conventional biopic, this enthralling dramatic exploration of the legacy of Chilean poet Pablo Neruda conjures up a fiction in which he is pursued into political exile by an incompetent detective played by Gael García Bernal.

Paterson

Jim Jarmusch

Direct from Cannes, Jim Jarmusch’s beautifully calibrated ode to art and ordinariness stars Adam Driver as a New Jersey bus driver who writes poetry in his downtime and Golshifteh Farahani as his cupcake chef wife.

Toni Erdmann

Maren Ade

Hailed at Cannes as a brilliantly original comic masterpiece, Austrian writer/director Maren Ade’s epic of parent-child dysfunction centres on a father assailing his uptight corporate daughter with crazy pranks.