- Dominic Corry
- Dunedin Film Society: Raphael Richter-Gravier
- Staff Picks: Andrew Harrison
- Staff Picks: Ant Timpson
- Staff Picks: Bill Gosden
- Staff Picks: Caroline Palmer
- Staff Picks: Cianna Canning
- Staff Picks: Collette Wright
- Staff Picks: Felicity Drace
- Staff Picks: Hedda ten Holder
- Staff Picks: Jo Scott
- Staff Picks: Kailey Carruthers
- Staff Picks: Kate McGee
- Staff Picks: Lynn Smart
- Staff Picks: Melanie Rae
- Staff Picks: Michael McDonnell
- Staff Picks: Nic Marshall
- Staff Picks: Nick Paris
- Staff Picks: Rebecca McMillan
- Staff Picks: Rosie Jones
- Staff Picks: Sandra Reid
- Staff Picks: Tim Wong
- Wellington Film Society
This often funny and ultimately intensely moving tale of the friendship between an out-of-work Newcastle carpenter and a young single mother won for Britain’s Ken Loach a second Palme d’Or for Best Film at Cannes this year.
La pazza gioia
“This high-energy romp is a superb showcase for its two lead actresses as they impetuously extend a group outing from the residential clinic into a two-character outlaw adventure.” — Lisa Nesselson, Screendaily
Richard Linklater follows Boyhood by recalling his own first days at college in this hilarious, deeply relaxed comedy about male bonding, set in the bars, discos, parties and frat houses of 1980 Austin.
Copenhagen-based Noma and celebrated chef-owner René Redzepi relocate the restaurant and its entire staff to the Mandarin Oriental Hotel in Tokyo for five sold-out weeks of spectacular lunches and dinners with specially created menus.
Crisp photography, boisterous tunes and a stacked deck of affable company make this funny, incisive comedy a memorable entry for the war genre. With Benicio Del Toro and Tim Robbins.
NZIFF 2016 opens with the World Premiere screenings of the Kiwi feel-good movie of the year: Tearepa Kahi’s richly researched celebration of Dalvanius Prime and the many rivers that flowed into the making of ‘Poi E’.
In Alison Maclean’s vibrant screen adaptation of Eleanor Catton’s debut novel, a first-year acting student (James Rolleston) channels the real-life experience of his girlfriend’s family into art and sets off a moral minefield.
An amazingly up-close and personal view inside the New York mayoral campaign that became a media frenzy when the charismatic candidate with the excruciatingly appropriate name couldn’t keep himself from sexting.