The White Ribbon
Das Weisse Band
“With this austerely told, severely enthralling masterwork, Cannes has found its Palme d'Or.” — Mary Corliss, Time
Germany/Austria/France/Italy
M - Content may disturb
Producers: Stefan Arndt, Veit Heiduschka, Margaret Menegoz, Andrea Occhipinti
Screenplay: Michael Haneke
Screenplay consultant: Jean-Claude Carriére
Photography: Christian Berger
Editor: Monika Willi
In German with English subtitles
B&W
With: Christian Friedel, Ernst Jacobi, Leonie Benesch, Ulrich Tukur, Ursina Lardi, Michael Kranz, Burghart Klaussner, Steffi Kühnert, Maria-Victoria Dragus, Josef Bierbichler, Gabriela Maria Schmeide, Rainer Bock, Susanne Lothar, Branko Samarovski
Festivals: Cannes (In Competition) 2009
Palme d'Or (Best Film), Cannes Film Festival 2009
Thanks to Reading Cinemas we are able to present this dazzling example of the new digital cinema in its original format. Please note the special booking requirements below. For technical reasons The White Ribbon will screen only in Wellington.
“Michael Haneke explores the roots of German fascism in The White Ribbon, a masterful sociological drama that brought the Austrian filmmaker (who previously won Cannes' Grand Jury Prize for The Piano Teacher and Best Director for Hidden) his long-overdue Palme d'Or. The setting is a rural German village during the year lead-up to World War I, where the local schoolteacher (excellent newcomer Christian Friedel) comes to believe that a rash of deadly accidents befalling the townsfolk may be the work of one or more of his eerily withdrawn, stoic pupils. The ribbon of the title, a symbol of innocence and purity, is one that Haneke gradually unravels as the teacher hones in on the ritualistic cycle of domination, submission and humiliation churning beneath the town's placid Protestant surface...
This disturbing, challenging and austerely beautiful film (shot in forbidding black-and-white) methodically works its way through a dense, multi-character narrative while refining the director's trademark concerns about society's hidden violence and the evils transmitted from parents to children... The White Ribbon reaffirms him as the leading European filmmaker of his generation. It feels like a classic even as you are watching it for the first time.” — Scott Foundas, LA Weekly
“A portrait of a place that is so rich, so detailed and so full of telling relationships and behaviour that you feel you have gained an understanding of the very essence of these people.” — Dave Calhoun, Time Out
Read The Lumiere Reader's recent review of The White Ribbon here.
