Uzak

Distant

Lovers of the exquisitely calibrated cinema of such masters as Tarkovsky or Antonioni will be enthralled by this year’s Grand Prix winner direct from Cannes.
Year: 2002
Country: Turkey
Running time: 110 mins
Turkey
Screenplay/Photography: Nuri Bilge Ceylan
Editors: Nuri Bilge Ceylan, Ayhan Ergüsel
In Turkish with English subtitles

With: Muzaffer Özdemer, Mehmet Emin Toprak, Zuhal Gencer Erkaya, Nazan Kirilmis, Feridun Koc

Festivals: Cannes Film Festival 2003, Grand Jury Prize; Best Actor Award Shared by Muzaffer Ozdemir and Mehmet Emin Toprak
This film is a late confirmation to the Festival. Session times are not in our published programme. Tickets are on sale now through Ticketek.

“Easily the best film in competition so far has been Uzak, or Distant, written and directed by Nuri Bilge Ceylan: a profoundly beautiful and moving meditation on loneliness whose essential seriousness does not preclude some tender comic moments. Muzaffer Özdemir plays Mahmut, a prosperous and successful photographer in Istanbul. Now divorced, he has cultivated fastidious bachelor habits that fall apart when his dopey country cousin Yusuf comes to stay while looking for work.

Calling Uzak an odd-couple comedy does not quite convey the melancholia that drifts through the movie like a cloud, with unapologetically long single takes and wistful silences. But it really is funny, with a humour rooted in compassion for unhappiness, absurdity and the encroachment of old age. There are, hard though it may be to believe, sight gags that are the work of tremendous comic talent.

It is a film of exquisite piquancy: a real masterpiece.” — Peter Bradshaw, The Guardian

“Ceylan is the complete filmmaker. He produced Distant for his own company, wrote the screenplay, was responsible for the beauteous photography and is credited as co-editor. He clearly knows exactly what he wants, and his achievement here is major… The theme of the film is that of the line from the Joni Mitchell song: ‘You don't know what you’ve got till it's gone’, and Ceylan probes that theme with intelligence and gentle precision.” — David Stratton, Variety

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