“A sexy, seamlessly quilted film that throbs with intrigue, lively characters and finely crafted melodrama.” — Lee Hyo-won, Korea Times
Producer: Jason Chae
Screenplay: Im Sang-soo. Based on the film by Kim Ki-young
Photography: Lee Hyung-deok
Editor: Lee Eun-soo
Production designer: Lee Ha-jun
Costume designer: Choi Se-yeon
Music: Kim Hong-jip
In Korean with English subtitles
With: Jeon Do-youn (Euny), Lee Jung-jae (Hoon), Youn Yuh-jung (Byung-shik), Seo Woo (Hera), Park Ji-young (Hera’s mother), Ahn Seo-hyun (Nami), Hwang Jung-min (Soon-bun), Moon So-ri, Kim Jin-ah (doctors)
Festivals: Cannes (In Competition) 2010
A housemaid is caught up in the deadly games of her wealthy employers in this stellar, voluptuous remake of a Korean classic, fresh from competition in Cannes.
"Slick, polished and sexy, Im Sang-soo’s The Housemaid is the sort of film simply not made in Hollywood any more. Directed with the same icy precision displayed by the coldly amoral family at its center, The Housemaid is an entirely grown-up thriller – one driven by lust, boredom, and not particularly subtle manipulation…
The Housemaid revolves around Lee Euny. A lower class, sweetly naive divorcee, Lee begins the film working in the kitchen of a cheap restaurant and sharing a tiny apartment with her only friend. Is it any wonder that she jumps at the opportunity to become the new nanny for the enormously wealthy Hoon family? The Hoons are outwardly perfect. He is handsome and successful, a true power broker despite his youth. She is young and beautiful and heavily pregnant with twins, new siblings for the couple’s young daughter. The daughter? Obviously very intelligent and mature beyond her years in truly adorable fashion. But you know what they say about perfection... give it a scratch and who knows what may lie beneath.
The script is very good, indeed, and the entire cast virtually flawless, though Park Ji-young deserves special mention… Elegant when called for, savage once you dip beneath the surface, The Housemaid is a triumph for Im and one of the strongest thrillers to emerge from Korea in the past several years.” — Todd Brown, Twitch