Screened as part of NZIFF 2016

Neruda 2016

Directed by Pablo Larraín

Not your conventional biopic, this enthralling dramatic exploration of the legacy of Chilean poet Pablo Neruda conjures up a fiction in which he is pursued into political exile by an incompetent detective played by Gael García Bernal.

Argentina/Chile/France/Spain In French and Spanish with English subtitles
107 minutes CinemaScope/DCP
M (violence, offensive language and nudity)

Director

Producers

Juan de Dios Larraín
,
Peter Danner
,
Renan Artukmaç
,
Alex Zito
,
Juan Pablo García
,
Ignacio Rey
,
Gastón Rothschild
,
Fernanda del Nido

Screenplay

Guillermo Calderón

Photography

Sergio Armstrong

Editor

Hervé Schneid

Production designer

Estefanía Larraín

Costume designer

Muriel Parra

Music

Federico Jusid

With

Luis Gnecco (Pablo Neruda)
,
Gael García Bernal (Oscar Peluchonneau)
,
Mercedes Morán (Delia del Carril)
,
Diego Muñoz (Martínez)
,
Pablo Derqui (Víctor Pey)
,
Michael Silva (Álvaro Jara)
,
Jaime Vadell (Jorge Alessandri)
,
Alfredo Castro (Gabriel González Videla)
,
Marcelo Alonso (Pedro Domínguez)
,
Francisco Reyes (Bianchi)
,
Alejandro Goic (Jorge Bellet)
,
Emilio Gutiérrez Caba (Pablo Picasso)

Festivals

Cannes (Directors’ Fortnight) 2016

In this dense and scintillating mix of fact and fantasy, Gael García Bernal reteams with No director Pablo Larraín to play an obsessive (fictional) detective on the trail of the famed Chilean poet-politician forced into exile in 1948.

“A work of such cleverness and beauty, alongside such power, that it’s hard to know how to parcel out praise… Neruda is not a biopic but an invention informed by biography, conjuring a richly detailed investigator with notions of self-grandeur who’s hunting the famed leftist writer-politician…

[Larraín] deftly mixes fiction with a form of truth, presenting Neruda not as the passionate romantic of his verse but a champagne communist very much tied to passing pleasures. Yet what Larraín makes clear by the finale is that who the artist is (any artist) is less important than what they inspire… Every bit the film’s protagonist as much as the poet, Peluchonneau [García Bernal]… serves as both Neruda’s nemesis and his creation, an ineffective plainclothesman assisting in the legend of the great man’s persecution.

All the performances are outstanding: Luis Gnecco plays Neruda with a sense of entitled vanity, which occasionally slips to reveal the character’s idealism and solidarity… But perhaps it’s García Bernal who makes the greatest impression… Humorous, straight-faced and channeling any number of noir detectives with a post-modern twist that finally gives that misused concept a good name, the actor quite simply shines, once again proving himself one of the smartest performers around.” — Jay Weissberg, Variety