Reaching for the Moon 2013

Flores raras

Directed by Bruno Barreto World

The turbulent love story of American poet Elizabeth Bishop (Miranda Otto) and Brazilian architect Lota de Macedo Soares. “An empowering portrait of two highly gifted women who defy social convention.” – Hollywood Reporter

Jul 25

The Civic Theatre

In Your Wishlist
Jul 28

The Civic Theatre

In Your Wishlist
Brazil In English and Portuguese with English subtitles
118 minutes DCP
M (content that may disturb, offensive language)

Director

Producers

Lucy Barreto
,
Paula Barreto

Screenplay

Matthew Chapman
,
Julie Sayres. Based on the screenplay by Carolina Kotscho

Photography

Mauro Pinheiro Jr

Editor

Leticia Giffoni

Production designer

José Joaquim Salles

Costume designer

Marcelo Pies

Sound

Alessandro Laroca

Music

Marcelo Zarvos

With

Miranda Otto (Elizabeth Bishop)
,
GlóriaPires (Lota de MacedoSoares)
,
Tracy Middendorf (Mary)
,
Marcello Airoldi (Carlos Lacerda)
,
Lola Kirke (Margareth)
,
Tânia Costa (Dindinha)
,
Marianna Mac Niven (Malu)
,
Marcio Ehrlich (José Eduardo Soares)
,
Treat Williams (Robert Lowell)

Festivals

Berlin
,
Tribeca 2013

Elsewhere

Luxuriating in its 50s Rio setting, Bruno Barreto’s film tells the turbulent true story of American poet Elizabeth Bishop and her love affair with the Brazilian architect Lota de Macedo Soares. Feeling stale in Manhattan, Elizabeth (burning with intelligence and inhibition in Mirando Otto’s performance) accepts an invitation to Brazil. Mary, an old Vassar College friend, is staying at Lota’s stunning Samambaia estate. (Designed by Oscar Niemeyer and the landscapist Roberto Burle Marx, it is guaranteed to induce serious House and Garden lust.)

Elizabeth is unnerved to discover that the two women are lovers. The flamboyantly demonstrative Lota (Glória Pires) guesses exactly why Elizabeth might be so sensitive. As she taunts the priggish New Englander, the conflagration of opposite temperaments seems inevitable. Their passion is fuelled over the years by many trials, not least Lota’s continuing involvement with Mary. Lota is a de facto supporter of the 1964 coup détat. Elizabeth, once she has a few drinks inside her, is not too shy to berate her lover’s right-wing patrons. But as their love story unravels, each retains her fierce commitment to making art which endures today: Bishop’s poetry and architect Lota de Macedo Soares’ magnificent Flamengo Park in Rio.

“The strength of Reaching for the Moon is in the strong – and very different – performances from Miranda Otto and Glória Pires. Pires is a vibrant and charismatic force of nature, and is perfect as the frank and down-to-earth Lota, while Miranda Otto’s shy elegance nicely fits with complex characteristics of Elizabeth Bishop.” — Mark Adams, Screendaily