Concerning Violence 2014

Directed by Göran Hugo Olsson Out of Africa

This powerful documentary draws on rarely seen interviews and action footage from African liberation struggles of the 60s and 70s to offer fresh insight into the nature and enduring legacy of colonialism.

Sweden In English, French, Portuguese and Swedish with English subtitles
85 minutes B&W/Colour/DCP
Exempt

Producer

Annika Rogell
,
Tobias Janson

Screenplay

Göran Hugo Olsson. Based on the book The Wretched of the Earth by Frantz Fanon

Editors

Michael Aaglund
,
Dino Jonsäter
,
Göran Hugo Olsson
,
Sophie Vukovic

Narrator

Lauryn Hill

With

Thomas Sankara
,
Amílcar Cabral
,
Tonderai Makoni
,
Robert Mugabe
,
FRELIMO
,
MPLA

Festivals

Sundance
,
Berlin

Elsewhere

Drawing on a trove of startling interviews and long unseen vérité footage shot by Swedish TV documentary crews (as in 2012’s The Black Power Mixtape), director Göran Hugo Olsson takes us into the thick of armed African liberation struggles in the 60s and 70s. We accompany an Angolan jungle night raid, observe the back and forth of a Liberian miners’ strike, meet sneering white Rhodesians – and an idealistic, conciliatory Robert Mugabe. Apt commentary is drawn from Frantz Fanon’s 1961 text The Wretched of the Earth, long banned in France for its precise analysis of colonialist violence and the greater violence needed to overthrow it. 

“Among many highlights, the sequence featuring interviews with the Mozambique Liberation Front stands out because we get to hear directly from the mouth of the resistance. The most recent footage dates from 1987, but throughout the viewer is invited to draw their own connections between the onscreen images and today’s geopolitical situation. To be immersed in the film is a consistently stimulating intellectual experience...

Singer Lauryn Hill punches out Fanon’s words in a voiceover narration of rich, sonorous authority. As if
 to double up on the force of Fanon’s already astringent words, the text
 is often simultaneously printed onscreen. It’s an artistic choice
 that somehow avoids feeling overly didactic and, according to Olsson, was influenced by such diverse sources as Jean-Luc Godard and the music video for Prince’s 1987 song ‘Sign o’ the Times.’” — Ashley Clark, Sight & Sound