Screened as part of NZIFF 2012

Rebellion 2011

L’ordre et la morale

Directed by Mathieu Kassovitz

In his most visceral and impassioned outing since 1995’s La Haine, actor/director Mathieu Kassovitz has made a propulsive action movie dramatising the extraordinary French military response to a New Caledonia hostage-taking in 1988.

France In French and Kanak with English subtitles
136 minutes CinemaScope / DCP

Producers

Christophe Rossignon
,
Philip Boëffard

Screenplay

Mathieu Kassovitz
,
Pierre Geller
,
Benoît Jaubert. Based on the book by Philippe Legorjus

Photography

Marc Koninckx

Editors

Mathieu Kassovitz
,
Thomas Beard
,
Lionel Devuyst

Music

Klaus Badelt

With

Mathieu Kassovitz (Captain Philippe Legorjus)
,
Iabe Lapacas (Alphonse Dianou)
,
Malik Zidi (JP Perrot)
,
Alexandre Steiger (Jean Bianconi)
,
Daniel Martin (Bernard Pons)
,
Jean-Philippe Puymartin (General Jérôme)
,
Philippe de Jacquelin Dulphé (Squad General Vidal)
,
Philippe Torreton (Christian Prouteau)
,
Sylvie Testud (Chantal Legorjus)

Festivals

Toronto, Busan, London 2011
,
San Francisco 2012

Elsewhere

In his most visceral and impassioned outing since 1995’s La Haine, Mathieu Kassovitz dramatises the extraordinary French military response to a New Caledonia hostage-taking in 1988.

Starring as Philippe Legorjus, a captain in an elite counterterrorist division hastily dispatched to the Pacific territory, Kassovitz leads a uniformly excellent cast. Upon arrival he discovers that the French army has been deployed too. Legorjus’ efforts to achieve a resolution through negotiation with the indigenous Kanak independence group clash with the blunter approach of the army and a different agenda from above. His attempts to earn the trust of the hostage takers’ leader, depicted in scenes of searing intensity, are constantly imperilled by a political battle playing out in Paris. Prime Minister Jacques Chirac is challenging François Mitterrand for the presidency, and the distant conflict has become a central issue. Chirac is determined that the rebellion be quelled, by whatever means. And time is running out. 

Based on Legorjus’ memoir, Rebellion has all the seat-edge energy of a thriller, buttressed by a real political heft. It delivers a gripping illustration of the bloody, expedient and far-reaching potential impact of colonial powers’ internal political squabbles. — TM 

“Displaying all the earmarks of a tightly made action drama, with effective topnotch camera work, nervous editing to pump energy in every scene, a cast driven to perform at full steam and an off-screen narration bridging eventual gaps, Kassovitz’s film inexorably moves ahead towards a pre-ordained climax.” — Dan Fainaru, Screendaily